Review: "Censura" by Don Segundo

"A couple of years ago when I needed a song for an anti-war podcast, I stumbled upon a song called "Mentirosa" by a band from Puerto Rico called, Don Segundo. I really liked this band's sound, and when I found out that "Mentrosa" means "Liar's Poker", I was hooked!

Now Don Segundo has released a full-length album on Jump Up Records called "Censura", and not only is it a favorite of mine, but I know that Gabe is a huge fan too. This album is mostly in Spanish with a few songs in English as well as a couple instrumentals. What I really like about this cd is that, although mostly in Spanish, it's a root-oriented ska album, and not ska-core, which permeates so many Latin/Ska bands today.

Stand out tracks include "Start Stompin", which I used in an episode of World Ska Radio, and "I Will Not Beg". If these two tracks don't get your feet tapping, you just might be dead. My favorite Spanish track is "Censura", and I like the instrumental track, "La Dony" as well. And while I do find myself skipping one or two tracks, overall this cd, with its powerful vocalist Lourdes Lopez, is ¡Excelente y bien recomendado!"

For more information, visit Don Segundo on MySpace:
http://www.myspace.com/donsegundo

"Censura" is available on Jump Up and Megalith Records

New Classics #1: The Adjusters - Otis Redding Will Save America

A new monthly feature for MIOO in 2008, we’ll be taking a look back at some overlooked albums from ska’s past. Rather than beating an obvious classic to death, or solely focusing on new releases, our goal is to revisit some underappreciated albums and give them their due respect. We’ll be focusing on the years between 1993 and 2003, the height of popularity for the “third wave”, give or take a few years. This period definitely has a reputation, but for better or for worse, it got us to where we are today. Among some of the better known albums of this time period were a number of hidden gems that have become New Classics in our opinion. Maybe it was for personal or sentimental reasons, maybe it was a groundbreaking sound, or maybe it simply stands the test of time. Whatever reasons we choose, we hope these selections will inspire you to dig into your collections and replay these albums, or possibly turn you on to a new band or disc you might have missed along the way.


The first album in our series is The Adjusters 2003 effort on Grover Records: Otis Redding Will Save America. The Adjusters rose out of Chicago in the mid-late 90’s, and had two previous albums on Jump Up Records before this one: Politics of Style and Before the Revolution. While these albums were excellent in their own right, seamlessly mixing soul and ska, their third album took on a much broader life in terms of both recording and style. Recording for Otis spanned the US with tracks recorded in NYC, Chicago, and LA, and their style built upon their prior foundation, adding elements of hip-hop and dub. A number of songs have a trip-hop influence, with more emphasis on the ska and reggae. Fans of the Thievery Corporation or even The Gorillaz might find this album a pleasant surprise. With this framework in mind you can easily see the progressive approach The Adjusters were taking on this album.

Otis hits hard right out of the gate with driving bass and groovin’ rhythm on the instrumental WTF Ska, DJ scratching on Gun, and Dr. Ring-Ding’s guest chatting on Can’t See the Light. These three tracks alone give the listener an idea of the extremes the album goes to, flawlessly jumping from reggae to soul to hip-hop without a second thought. Daraka Kenric’s vocals take a soulful edge on his lead tracks – sometimes angry, sometimes urgent, always heartfelt and genuine. A deep roots rocker comes next, the brilliant Master Blaster with lead vocals by Jessica Basta. Jessica carried a number of songs on her own in The Adjusters, and also acted as a great compliment to Daraka, creating some excellent harmonies. Some other standout tracks are If You, Monkey Hate Reggae, Supergoodlookin (one of the catchiest beats on the album, and some great guitar work by Jason Packer), and my personal favorite, Loose Version. Loose Version is a wicked dub of Loose Roots taken from Before the Revolution. Great lyrics, and almost haunting backing vocals. Musically, it reminds me of The Specials’ Ghost Town.

Without taking anything away from the musicians in the band, the production is what really shines. Rench drops some heavy beats and samples throughout the album, and let’s face it, anything Victor Rice touches turns to gold. Also notable, Brian Dixon of The Aggrolites had a hand in the recording process too!

It’s amazing how you can hear a 5 year old album in a new light when you really sit down and pay attention to it. As the musical spectrum changes and your personal tastes change, you can always find something great in the past. Progression is important in any scene, and Otis Redding Will Save America is a prime example of what can happen when musicians exercise their artistic freedom and aren’t afraid to push boundaries. Listening to this album led me to research the members’ current whereabouts. Daraka has a political blog at hoverbike.blogspot.com , Jessica has several projects at www.jessicabasta.com , and Matt Parker is involved in the new Jandisc Records label. Probably the most intriguing is Rench’s hip-hop/country/bluegrass project at www.renchaudio.com , something I’m really looking forward to checking out. I hope this wasn’t the last we’ll ever hear from The Adjusters, but if it is, there’s no doubt it will stand the test of time as their final masterpiece.

Review: Dr. Ring-Ding - Back and Forth

Jump Up Records - 2007

Touted as a personal selection by The Doctor himself, Back and Forth collects tunes spanning Dr. Ring-Ding’s entire career. Cuts from all his studio albums with the Senior All-Stars, plus 7” singles, remixes, and even some new tunes showcasing upcoming solo projects and collaborations leave no stones unturned.

The album starts off strong with “Doctor’s Darling”, arguably one of the best, if not most recognizable tunes Richie has ever recorded. The backing track of the same name is a re-working of the classic Night Nurse riddim, and was written by the Seeed band, one of Germany’s top notch dancehall reggae producers. This tune was so good it was featured on VP Records’ Riddim Driven series, where such greats as Tanya Stephens, Luciano, Anthony B, and Sizzla all took turns riding it. In my opinion, Dr. Ring-Ding is the strongest at the dancehall, and this album delivers about 8 more scorchers – some of my favorites being Badness, Millionaire, Fever, and The Best. Like a true master, his boastful lyrics and killer vocal delivery permeate all these tracks, proving his own words that he is “the best” and “any rude boy who come can’t test”.

One of the biggest surprises for me on this album is the ska version of the song Ram Di Dance. I didn’t think I would like such a change in tempo from the original, but in this case it works. Over the upbeat ska and monster horn lines, he changes the vocals ever so slightly, and adds a full new verse at the end, again demonstrating his lyrical ability.

Showcasing his new and upcoming projects, Back and Forth includes two tracks from Today’s Special, the new album by super group Kingston Kitchen. Kingston Kitchen sees the members of Rotterdam Ska-Jazz Foundation seamlessly fusing ska, jazz, lounge, and swing while Ring-Ding adds his smooth, crooning vocals. Also present here is a tune from the forthcoming “Fully Licensed” album recorded at Version City. “What it Takes” features Vic Ruggiero and Richie trading vocals over a signature Version City reggae track.

The rest of the album features some of the best songs from his Senior All-Stars days, a few unreleased numbers, and two tracks with The Scrucialists, “Obeah Wedding” and “Feast”, the King Django collaboration. Clocking in at almost 80 minutes, this CD packs 21 songs total, and is a great pick for both die-hard and casual Ring-Ding fans alike. It’s a nice nod to the past, and a promising glimpse of the future. Also keep an eye out later this summer when Dr. Ring-Ding comes back to the US for a short tour. More information can be found at www.myspace.com/drringding .

"The Ramblers" won't leave you rambling just dancing

Deals Gone Bad "The Rambler" (Jump Up Records)



I anticipated the release of this album from the band for what seems like years. And the album lives up to every expectation I had going in. The band helped to establish Jump Up Records as a viable ska label as third wave ska floated from popularity to obscruity in the 90's. Thanks to bands like DGB Jump Up is still around and still putting out great albums that deserve to be heard. Deals Gone Bad always played a mix of Jamaican ska/reggae with elements of soul, rock, and jazz. Their live show is probably where the band has always shined with their scorching originals about Pirates with covers from bands such as Judge Dread, Derrick Morgan, and Ken Boothe. With singer Mike Park the band released 3 albums on Jump Up Records. Mike left the band a few years ago (now he plays in Lord Mike's Dirty Calypsonians - Check Them Out!) and was replaced by Todd Hembrook who belts out his vocals like Sam Cooke and Otis Reddng. This album is a non stop pleaser with the first tune "Messin' Around" Todd's vocals stand out as this agonizing soul that has loved and suffered. Mike Corcoran on drums transitions from a foot stomping soul beat to a smooth rocksteady rhythm. "Movin' On" begins with a Pet Sounds sort of organ intro supplied by Karl Gustafon. This song is very reminiscent of Todd's old soul reggae band Heavy Step.



What I like most about this album is the music covers all styles of Jamaican music with ska, reggae, rocksteady and has a healthy dose of other musical delights. "Cry For Me" has Todd channeling his inner Motown and even somewhat resembles the feel of a certain Van Morrison tune. "One More Day" is a love ballad of sorts, the horn players add the perfect melody that floats and grooves in the pockets. Deals Gone Bad prove they are at the top of their game with "Things Are Gonna Get Better", which demonstrates the bands' ability to jump from style to style. A more rootsy reggae sound is present in "Rough & Ready" which the band quickly grooves to. Aaron Hammes wrote the song "Good Old Days" that sort of harks back the past without being sentimental, just realistic. "City City" is a catchy ode to Chicago… "The second city, beats the first / Keep New York, forget LA, Chicago is my curse." "Take Time" and "The Cost" are two more reggae grooves number that keep the energy on the disc sky high. The album ends with a Western (fitting in theme with the album art) acoustic number that is just spooky sounding "I was Wrong." This will be on the top of the list for this year's best releases. And if you get a chance do not deny yourself an opportunity to see this group live on stage. Doing what they do best giving the fans all their blood, sweat, and tears and ripping from song to song. Lets hope they never stop.