Showing posts with label international ska. Show all posts
Showing posts with label international ska. Show all posts

Saturday, January 10, 2009

New Tokyo Ska Paradise Orchestra Album in Feb!




Celebrating their 20th anniversary, Tokyo Ska Paradise Orchestra will be releasing a new album!

Skapara's Paradise Blue will be released (in Japan) on February 4!  Featuring 12 tracks, this will be TSPO's first album without former front man Tatsuyuki Hiyamuta...

Liverpool FC fans (and other football fans) should recognize track 10...a cover of "You'll Never Walk Alone."

Tracklisting taken from their website:

『PARADISE BLUE』
1.Routine Melodies ルーティーン・メロディーズ
(music & Lyrics:Atsushi Yanaka)

2.Paradise Blue パラダイス・ブルー
(music:Tsuyoshi kawakami & Masahiko Kitahara)

3.疾風の剣 -Lightning Sword-
(music:Yuichi Oki)

4.Heaven's Door ヘヴンズ・ドア
(music:Tsuyoshi Kawakami)

5.WITCHING HOUR -真夜中の奇跡-
(music:Tsuyoshi Kawakami)

6.そばにいて黙るとき -Silent By Your Side-
(music:Yuichi Oki/ Lyrics:Atsushi Yanaka)

7.Like Jazz On Fire -灼熱のジャズの如く-
(music:Masahiko Kitahara)

8.さよならワルツ -Farewell Waltz-
(music:Takashi Kato)

9.Already Steady -すでにステディ-
(music:GAMO)

10.You'll Never Walk Alone ユール・ネバー・ウォーク・アローン
(music:Richard Rodgers/Lyrics:Oscar Hammerstein)

11.カルナバル -CARNAVAL-
(music:Masahiko Kitahara)

12.Sugar Fountain -楽園の泉にて-
(music:NARGO)

To learn more about the album, as well as hear a short sample, check out the Tokyo Ska Paradise Orchestra website!  

You can also read my review of their last album, Perfect Future right here.  

Thursday, December 4, 2008

Roots Rock Rebel podcasts - Now on MIOO!


Listen: Pt 1
Listen Pt 2

Roots Rock Rebel
Wednesday, December 3rd, 2008
10pm-12am
CKUT, 90.3FM, Montreal!

Hello!
Aaron here from Roots Rock Rebel on CKUT
radio in
Montreal. We're going to start posting
our podcasts and
playlists on Music is our
Occupation! Every week we bring

you the finest that the ska and reggae worlds
have to
offer, with great interviews too,
so be sure to download
our podcasts (link and rss feed below),
or check us out
at www.myspace.com/ckutrootsrockrebel

Alex Giguere of One Night Band was our special guest for an interview this
week. ONB is burning it up, and their new CD, "Hit and Run", is in heavy
rotation on Roots Rock Rebel. Alex chatted with us about the band's recent
romp through Europe. To see their crazy antics, and hear some tunes,
visit: myspace.com/theonenightband

The end of the year is fast approaching, and as per usual, we will run
down our top 5 Ska/Reggae albums of the year on the show. But we'd love to
hear from you! If any ska or reggae cd's really caught your ear and shook
your booty in 2008, drop us a line at rebel@ckut.ca or send us a myspace
message.

Be sure to tune in next week for a special preview of Rude Boy's new CD!
Rude Boy are a classic 2-tone ska band from Ottawa. They released one
album on Stomp records back ina day, and they are getting ready to put out
their next album, their first release in 10 years! Hear some of their new
stuff at: myspace.com/rudeboycanada

Until next week,
stay rude, and stay rebel
RRR crew

To podcast or download the show, Click Here

Playlist - December 3rd, 2008

Jeunesse Apatride - Jadis
The Clash - Clampdown
Corrigan Fest - Je marche
Street Dogs - Two angry kids
Men o' Steel - Many rivers to cross
3 Minute Warning - TV is on
Dirty Revolution - I love reggae
One Night Band - Wait a minute
One Night Band - Sammy
Crazy Baldhead feat. Bucket Hingley - Victoria
The Kinky Coo Coo's - Heard it through the grapevine
Red Soul Community - Red soul
Intensified - Hot lead shuffle
The Gramaphone Allstars - A night in Tunisia
The Slackers - Sing your song
Firebug - Estranho
Ed Rome - Non relationship rant
Freddie McGregor - Bobby Babylon
Slim Smith - Rougher yet
Toots and the Maytals - In the dark
Dave Barker - Funky funky reggae
Root Diamoons - From Jamaica
Moon Hop - Mambo es ska
Mungo's Hi-Fi - Divorce a l'italienne
Take the Boys - Higher and higher
The Cougars - I wish it would rain
Los Calaveras - Hooligan calypso remix
The Specials - Monkey man
The Claredonians - You can't be happy
Denis Alcapone - Power version
Laurel Aitken - Crazy feeling


--
host, "Roots Rock Rebel"
Wednesdays, 10pm-midnight
CKUT, 90.3 FM, Montreal
Ska, punk, reggae got soul!
www.ckut.ca (for online streaming and archive downloads)
www.myspace.com/ckutrootsrockrebel

Sunday, October 14, 2007

Interview with Nakarin Teerapenun of T-Bone!

For over a decade, they were Thailand's only ska and reggae band. For over 16 years, they've been hard at work, spreading the sounds of ska and reggae throughout Thailand. They've played with artists such as Tokyo Ska Paradise Orchestra, The English Beat, and INXS. They've even played at the world famous Glastonbury Festival a couple of times.

Just who are these guys? They're T-bone of course, and they hail from the Land of Smiles! (Thailand for you folks who don't get that reference.) Their lead guitar player, Nakarin Teerapenun, was kind enough to take the time to answer a couple of questions I had for him about his band and the scene in Thailand. Read on, loyal readers, read on.


1. For those of us who are uninformed, please tell us a little about the history of T-bone!

Nakarin: We are a band of college mates that formed 16 years ago (there are only 3 original founding members left now) out of our love of music. We played live gigs at clubs for very minimal pay. We were young and full of energy and just wanted to get out there and do what we love. Things slowly improved and we finally signed our first record contract 14 years ago.


2. How did you guys come up with the name, “T-bone” for the band?

Nakarin: My brother, Gap, who joined the band later as lead-singer, was at the time making these jeans for sale called T-Bone. That was pre-album days and we didn't have a name yet. We had auditioned at a club, and the owner asked what the name of the band was. We were dumbfounded when one of us looked at the jeans Gap was wearing and said "T-Bone"!

So, in a nutshell, by accident!


3. Please tell us a little bit about the history of the ska scene in Thailand. How was the scene when T-bone started playing, and how is the scene now?

Nakarin: When T-Bone was formed about 16 years ago, we played live gigs of only reggae music, such as cover songs of Bob Marley. He was probably the only reggae artist that Thai people knew, and even then, reggae music was restricted to a very, very small group of people. There was no "ska-scene" to speak of. Now the "ska-reggae" scene is the new "in" thing among indie music fans.

T-Bone has been the only ska-reggae band for over a decade, and I'm now happy to say we have many new additions to this scene. Mostly very young college kids who started their own ska-reggae band out of pure passion for this kind of music. The reason I say this is because, despite its increasing popularity, it is still not a major money-making scene for artists of this kind. But we love what we do, and are proud that our perseverance has finally brought us to where we are. We're able to do what we do and enjoy the strong support from our loyal fans without involving any marketing tactics.

Needless to say, we've all got day jobs to support our passion.


4. How did you get into ska music?

Nakarin: When we finally got our first break with a record label, we started doing interviews and were asked a lot of questions like "what is reggae music?" Up to that point we only played reggae music because it was what we loved, but we knew very little about its history. So, we thought we'd better do some research, and that's when we found out that it was ska music that actually came first and influenced the emergence of reggae music. Then we discovered The Skatalites, and the rest is history!


5. What bands or artists have influenced your band the most?

Nakarin: Surprisingly, only one of our members is a die-hard reggae fan. Most of the other present members, on the other hand, have a jazz background, and also perform with various jazz bands in Bangkok. This is probably the main influence that comes into play when we rehearse together and also when we compose and arrange songs. But if we are to name any particular band that influences us, it would of course have to be The Skatalites, for the way they seem to cleverly sneak jazz influences into their songs!


6. What are the types of people who show up to your show in Thailand? (Rastas? Skinheads? Rudeboys? Mods? Everybody and anybody?)

Nakarin: Yes, Rastas and Rudeboys, but Thai-style. You have to see them to understand what I mean by Thai style. And yes, everybody and anybody, because we have the original fans, who are now in their mid 30s and 40s, and the latest recruits in all forms and shapes and colours.


7. I know you guys have played at the Glastonbury Festival a couple of times, and I gather that you guys don’t tour outside Asia much. How did the crowd respond to your music? Were you
able to tour any other European cities after Glastonbury?

Nakarin: Outside of Asia, we actually played in London first for a Tsunami benefit show a couple of months before we were booked for Glastonbury on the same year. Because each band member has a full-time job, we are not able to do any extensive tours. We are an unknown band, so you can imagine how terrifying and exciting it was at the same time. We didn't know how the audiences at each venue would respond to Thai-style ska and reggae. To our surprise, we were very well-received by them, and they had fun despite not being able to understand our lyrics.

I guess it's true when they say that music is a universal language.


8. What has been your most memorable show experience so far?

Nakarin: Without a doubt, Glastonbury 2005 and 2007.


9. What are your favorite ska artists right now?

Nakarin: The Skatalites, New York Ska Jazz Ensemble, Chris Murray, Ska Cubano, etc.


10. What are some Thai bands that the rest of the world should be checking out?

Nakarin: Fong Nam. It's a Thai world music ensemble featuring western instruments alongside traditional Thai musical instruments. Their songs are arranged in a modern-classive style, very contemporary, very progressive.


11. What is on the horizon for T-bone?

Nakarin: In terms of touring, we've been hearing from concert organizers in new countries for us, like Australia, Brazil, etc. but the logistics is always the main challenge for us as we're a big band. We always end up having to depend on sponsorship money to cover our traveling costs alone.

We are now also in the middle of touring season in Thailand. As for our new album, that's in our plans for next year.


12. Any last comments?

Nakarin: Please tell your readers to visit our website www.tboneska.com. We would love to hear from new people and get feedback about our music!

You heard the man! Go check out their website! If you're interested in their sound, keep your eye on the Pressure Drop Soundcast, as they are one of this month's featured artists. You can also buy some of their albums at www.ethaicd.com

Wednesday, July 18, 2007

Mike's Official Introduction

The very first memory I have of Jamaican music is when I heard Mad Cobra’s “Flex” at the innocent young age of ten. I don’t think I fully understood, or even cared about the lyrics then, but something about the rhythm and unique vocal delivery hooked me in. Looking back on it now, 16 years later, I wasn’t aware of how much I would come to love JA music in all its forms, especially modern dancehall and American reggae and ska. I’m now 26 years old and living in Chicago, and have finally decided it’s time to do my part to contribute to this scene. I’m not a musician, not a DJ, not a promoter. The best description I can label myself is an active and passionate fan. I want to be able to listen to this music throughout my life by continuing to support it. By not only embracing the past, but looking into the present and future, I hope it will continue to thrive and reach new ears.

My gateway into this scene, as was common for most teenagers in the mid to late 90’s was through such bands as Reel Big Fish, Less Than Jake, and Operation Ivy. Around age 15, I began to discover MTV’s punk bands of the day, and somewhere along the line I heard a Less Than Jake song on my local college radio station. My first two punk CDs were Epitaph’s first Punk-O-Rama comp, and the Vans Warped Tour comp where I heard Reel Big Fish. Those two bands got me hooked on any and all “punk with horns” - admittedly, yes, my first definition of ska.

Around the same time my local scene in New Jersey was blowing up. Catch 22, One Cool Guy, the Royalties, Inspecter 7, Foil, The Derringers, and countless others were playing shows in local halls and clubs almost every weekend. I spent the majority of my high school years at The Palace in Bound Brook, The Cove in Roselle Park, The Cheesequake Fire House, and The Stone Pony in Asbury Park. Every so often I got to see some better regional bands come through like The Toasters, Skinnerbox, Mephiskapheles, The Slackers, etc.

As the New Jersey scene began to fade out when bands broke up or moved onto other things, and the shows stopped, I began to dig deeper into the roots of this music. My progression took me backwards through each “wave”. From the Toasters to The Specials to The Skatalites, I became hungry for the true history and meaning of Jamaican music. While I loved all of it, as I went back I noticed what seemed to grab me most was always the deejay music, the toasting and chatting. It could be Coolie chatting on a Toasters tune, Ranking Roger with The Beat, or some of the early deejays like U-Roy. While I respected and appreciated the classics, I found myself always gravitating toward the new music at my disposal: Dr. Ring-Ding, Rocker-T, King Django, and modern dancehall like Buju Banton, Bounty Killer, Shabba Ranks, etc.

Fast-forwarding to 2003, I can thank Chuck and Buck of Jump Up and Megalith respectively for releasing “Still Standing” and re-kindling my interest in this scene and culture. Through the formation of Hub City Stompers around the same time, and Bomb Town shortly after, along with King Django’s Version City parties, I was able to find good shows to attend again. I met a good group of people dedicated to reviving the NJ/NY scene (big up Steady Sound System!), as well as other like-minded individuals on trips through NY, NJ, Philly, and Baltimore in their respective scenes (props to Bob and the DC Ska crew!). Moving to Chicago 3 years ago, I was privileged to become part of the Chicago scene, with regular shows by Deal’s Gone Bad, Lord Mike’s Dirty Calypsonians, and The Drastics, and regular reggae nights around the city. Lately however, the amount of gigs seems to be on the decline, and I find myself again starting to explore new music. But this time instead of digging through the past, I’m looking at the present, trying to find bands that are active today, and new bands that will continue to push this scene into the future. We are lucky to have a handful of great bands coming up through California like The Aggrolites, The Hi-Lites, and Penny Reel Junction, with The Aggrolites as well as Westbound Train gaining national attention through Hellcat Records. New Jersey is booming again with Hub City Stompers, Bomb Town, Bigger Thomas, and King Django still going strong, and younger bands like Awful Waffle and The Defending Champions carrying the torch. Also keep an eye out for newcomers Silver Dollar, a traditional ska band featuring Lord Skoochie of Inspecter 7 fame on vocals and sax, and King Django on trombone. Chicago is seeing Deal’s Gone Bad and The Drastics branching out of the Midwest and touring the east and west coasts. Chicago also has a younger ska/punk band, Manic Sewing Circle, that have grown tremendously in the past three years, both in songwriting and in popularity. They are playing a few Warped Tour dates this summer and have recorded a track on their upcoming album with Todd from Deal’s.

On the international front we have Megalith Records bringing us ska from all over the world, with a large focus on European bands such as Rotterdam Ska-Jazz Foundation, Pannonia Allstars Ska Orchestra, and St. Petersburg Ska-Jazz Review. Not to mention a resurgence of influence in British music with the likes of The Dead 60’s, Hard-Fi, Lily Allen, The Dualers, and Pama International.

The names I’ve listed are by far not the be-all-end-all of contemporary ska and reggae music, just the ones I find myself most interested in. I won’t claim to be an expert on this music. I won’t be able to tell you the names or writers of any obscure tunes or riddims, or even break down each individual era into its finer points… but I can tell you about what I like. I’m not here to educate – I’ll leave that to the experts. I’m here now, in 2007, where this scene is continuing to rebuild and progress stronger than it has in many years. I hope to contribute to this site by sharing my passion and interest for the players in our scene that are helping it thrive. Thanks to Gabe, Andrew, Brian, and Bob for inviting me to join, and I’m looking forward to contributing.